Experimental contemporary photographer Cynthia Karalla, influenced by Eugene Atget (1857-1927) and his photos of the trees around Versailles and Saint Cloud, Karalla like Atget, pays homage to the tree and its heroic position living within a man-made world. But she is also inspired by the moody renderings of “Gotham” by Hugh Ferriss (1889-1962) that reveal life in a gothic soul-less city. Experimental photography can be, at its most basic, about grabbing a camera and experimenting by shooting everything you see. And while this is close to what it means, if we think of it in that way, we miss a deeper meaning.

You see, experimental photography is not so much about what or how you frame the subject or what camera and lens you use, but it’s more about the state of mind of the photographer. And it’s not about whether the artist is happy or sad; mad or excited. It’s about first, unedited photo shooting – no notion of what you want to achieve, no filters, no preconceptions – and secondly, about evaluating the results (not the other way around). “There are no failures” in experimental photography Cynthia told me one time, “… you learn along the way and there’s nothing to lose. Finding something is the reward and there’s never any loss”.

Case in point, after 6 years of photographing the same tree in the park, it was only recently that she got something she could actually embrace. It wasn’t the tree that changed, but it was everything around it (including her) that finally let her see and represent the tree in its proper relation to its surroundings. Patience really is a virtue! by Richard Rabel

Collections –

Museum of Modern Art, NYC, USA
Cooper-Hewitt Museum, NYC, USA
Yokohama Museum, Tokyo, Japan
New York Public Library, NYC, USA
Daniel Katz, London, U.K.
Koc Holding, Istanbul, Turkey
Edward R. Downe Jr, NYC, USA
Esra Ekmekci, Istanbul, Turkey
Ronnette Riley, NYC, USA
Jeff Carey, NYC, USA
Barbara Binder, Martha’s Vineyard, USA
Judith Edge, Matera, Italy
Joel Bluestein, NYC, USA
Nathalie Bru, Paris, France
Frank Mattondo, NYC, USA
Sandy Alpert  NYC, USA
Edmond Hollander NY, USA
Zev Eisenberg NYC, USA
In the estate of Ali Can Ertug

Exhibitions –

2011
Ballarat International Foto Biennale, Australia
2007
The Baby Grand Piano’ The Cynthia Corbett Gallery, Slick, Paris, France
The Baby Grand Piano’ The Cynthia Corbett Gallery, Bridge Art Fair, London 07, London, U.K.
Untitled’ (Mona Lisa) Opera Arte e Arti, Matera, Italy
2006
I Santi’ Headbones Drawers Gallery, Toronto, Canada
Portfolio’ Pool Art Fair, NYC, USA
2005
Visionari Primitivi Eccentrici – 2005 – 2006 – Galleria Civica – Palazzo Loffredo, Potenza, Italy
Rubber Souls,’ Digi-Arte 2005, University of Florence, Sesto Fiorentino, Florence, Italy
Busted,’ Superlative Exposition, Dekalb Area Women’s Center, Chicago, USA
Baby Grand Intro & Humanity,’ Young Willing & Hungry: curated by Andres Serrano at the Jen Bekman Gallery, NYC
2004
Rubber Souls & I Santi,’ ‘Metamorphosis di una citta: architettura contemporanea a Matera, Bari, and Florence Italy / Madrid, Spain
Humanity,’ The Underground Art Fair, NYC, USA
Eleven,’ Bassel Art Fair, NYC, USA
2003
Madonna in the Chair,’ from the Humanity Series, Pels-Leusden Galerie, Zurich, Switzerland
Limmagine della Donna nell,’ Arte del 3° Millennio, Ex-Convento delle Suore Pie, Brindisi, Italy
2002
I Santi, a Viso Aperto,’ Puglia, Italy
Eleven,’ video project. Arteria, Matera, Italy
2001
‘I Santi, a Viso Aperto,’ Matera. Sassi, Matera, Italy
Busted Prints,’ Because Sex Sells. Nikolia Fine Art, NYC, USA
2000
‘The Praying Mass,’ The Ukrainian Institute, NYC, USA
Narcy,’ (short for Narcissism), Gershwin Gallery Space, NYC, USA
1999
The Irony of Ironing,’ The Ukrainian Institute, NYC, USA
Karallas Corolla,’ 1999 Auto Show at the Javitt Center, NYC, USA
Karallas Corolla,’ The Orange Art-car Show, Houston, Texas, USA
1994
Spaces Dressed in White,’ The Wall at NYU, NYC, USA
Boyfriends in Rocken Shades,’ Gallery U, NYC, USA
Virtue = Rebel,’ Gubala Gallery, NYC, USA
1993
The X-Girlfriend of Marcel Proust,’ at The AlleyCat Gallery, NYC, USA
Christ,’ at E.S.V. Vandam Gallery, NYC, USA
Nervous Collector,’ The AlleyCat Gallery, NYC, USA
Comprachicoes in the Raw,’ at The AlleyCat Gallery, NYC, USA
1992
Comprachicoes in the Raw,’ at The Puck Building Exhibition Space, NYC, USA
1991
‘Eat Cake all Natural Ingredients,’ National Academy of Arts, NYC, USA
1990
‘Layers of Life,’ Museum of Contemporary Arts, NYC, USA
Layers of Life,’ Soho 20, NYC, USA
Layers,’ Synchronicity Space, NYC, USA
Layers,’ Under Acme Exhibition Space, NYC, USA

Writings –

Present
Dilated Pupils,’ in the process
1997
The Third World’
1992
‘Comprachicoes in the Raw’
Video –
2012
Love Is Blind
2008
More French
2002
The Process
2001
‘Eleven’ (One minute and Eleven Seconds)
1999
Narcy’ (Short for Narcissism)

Documentation –

2002 & 2003
Eleven,’ with a discussion panel
2002:
Mary & Jesus,’ Backstage, Documenting the last night of shooting the still.
1995
Karalla’s Rolle Back Sculpture, Filmed by Tatsushi Tahara

Publications –

2016
Ragazine, September and October issue, “The Ambiguous Road”
2016
L’Oeil, August, “The Ambiguous Road”
2015
Ragazine, November & December issue, “Bleached”
2012
AS IF Magazine, issue No 2, page 4-7 & 10-13 “The Hopeless Romantic, Imortalizing the Underdog”
AS IF Magazine, issue No 1, page 102-107 “Fat Lands”
2007
Pseuds Corner, Private Eye, U.K. No.1195, 12th – 25th October, “The Baby Grand Piano”
Art Review October 2007
LloydR17;s List by James Brewer R11; December 2007
Bridge Art Fair London 07, p 30. image “Untitled – (Mona Lisa)”
New York Cool, Interview by Anusha Alikhan “Cynthia Karalla Plays The Piano”
2005
Saatchi & Saatchi, Lovemarks German Edition, the art directors cut. Image “Rubber Souls ‘SunFlower.'”
Visionari Primitivi Eccentrici – 2005 – 2006 – Untitled (Mona Lisa)
Citi, Matera, Sept – Interview with Images, “In the Face of All, Santi”
The Jewish Post, New York’s Best And Worst Art Shows, Volume 31, No. 5, p. 15 & 48
2004
La Gazzetta Del Mezzogiorno, National & Regional, Fotografia moderna, “The Baby Grand Piano.”
2003
The image of the Woman in the 3rd Millennium Art, Catalog,
Roundtable: Art, Religion and Censorship, Conscience, vol. 24, no. 1, Spring 2003, p. 29
2002
Euorio 7, 2002
MATERaPACIS, 2002 p. Cover, 36 & 37
La Gazzetta Del Mezzogiorno, Sabato 16 Febbraio, “E New York scopri I nostri santi”
2001
Mathera Luogo non luogo- Materia –Ierofanie
1999
Ukrainian Community Press, Hohol / Gogol: From the Traditional to the Bizarre
1993
Chelsea Clinton News, New AlleyCat for Chelsea. January 28- February 3